Short essays on far-reaching topics
Volume 2, Number 2
Art is Universal – Society is Local
Lessons from Lowbrow Art
Low Brow to High Brow and the Entertainment Industry
New Territories for Literature in Contemporary Brazil
Highs and Lows in Tajikistan
Echoes of Silence
Silence, Voice, and the Dialogic Scream
Does Western Performance Give Voice?
You Have Seen Nothing In Syria
A Place of Seeing
Caitlin Nasema Cassidy
Today’s Trial is Tomorrow’s Testimony
What Will Be Edinburgh’s Testimony?
Theatre of Witness and Resistance
Empathy: The Power of Healing
Empathy in an Orphanage in Afghanistan
Art, Labour, and Empathy
Do You Hear What I Hear? Empathizing With Many Voices in Cultural Production
Imagine All the People
Shubham Roy Choudhury
Faisal Abu Alhayjaa
The Tender Power of Anger
The Art of Resilience
Can cultural production make people less angry at each other?
Culture Wars: Syria
Caricature or pornography of violence?
De-communization in Ukraine
Free Admissions Help Arts Organizations Build New Audiences. Not Really.
Reflections on Guerilla Art
Manuel Francisco Viveros
How to live together? Or—Why do we go to festivals?
When Words Don’t Matter
Is cooking neutral?
Nik Shahrifulnizam Bin Che Rahim
The reality of fear
Gideon J. Wabvuta
Volume 2, Number 1
The Cultural Implications of Performance
Christine Adams, St. Mary’s College in Maryland
The Destruction of Memory
Tim Slade, Filmmaker
Volume 1, Number 1
Reading Cookbooks: Israeli food and the international relations of the every day
Ilan Zvi Baron Durham University
Cultural Diplomacy Practices in a Small Island State: A Case Study on Malta
Karsten Xuereb Valletta 2018 Foundation
Political Contestation, Israeli Identities, and the Arts
Johns Hopkins University