Longform

Long essays offering in-depth peer-reviewed analysis of cultural expression


Volume 2, Number 2

 

 

Angela Bartie Image

Cultural Interactions at the Edinburgh Festivals, c1947–1971

Angela Bartie

 

Hannah McGill Image

Insiders and Outsiders at Festivals

Hannah McGill

 

 

Zach Marschall Image

 

The Case for High Art

Zach Marschall

 

 

Derek Goldman ImageFrom Spectating to Witnessing: Performance in the Here and Now

Derek Goldman

 

 

 

Corina Lacatus ImageCulture Wars as Clashes of Identity

Corina Lacatus

 

 

Singh 2

Art and the Global

J. P. Singh

 

 


 

Volume 2, Issue 1

moller-figure-3

Colonial Wars and Aesthetic Reworking: The Artist as Moral Witness

Frank Möller, Tampere Peace Research Institute, University of Tampere, Finland

 

 

 

figure-7-exhibition

 

Curating Public Art 2.0: The Case of Autopoiesis

Btihaj Ajana, King’s College London

 

 

 

zageb_crkva_sv_marka

 

Cultural Stratification and Cultural Policies: Perspectives of Cultural Globalism, The Case of Croatia

Nada Švob-Đokić, Institute for Development and International Relations (IRMO), Zagreb

 

 

 

 

bilbao_-_guggenheim_46

The Museum as a Transnational Actor

Patricia M. Goff, Centre for International Governance Innovation

 

 

 

 


Volume 1, Issue 1

jp6A Subaltern Performance: Circulations of Gender, Islam, and Nation in India’s Song of Defiance

 

J.P. Singh
George Mason University

 

Who Holds the Power in Soft Power?

Melissa Nisbett
King’s College London

 

 

Global Cultural Law and Policy and the Internet: A Tale of Parallel Worlds

Mira Burri
University of Bern

 

 

wu8Reflection of the Cultural Policy in Human Rights Issues in Taiwan and the Response of the Art World

Chieh-Hsiang Wu
National Changhua University of Education

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Arts and International Affairs interrogates the nexus between the arts, politics and markets through a global perspective