Brushstrokes

Short essays on far-reaching topics

Post-Pandemic Museums: The Function of Digital Technologies in Global Cultural Tourism (1/29/2021)
Equitable Grantmaking in Practice: Artists as the Genesis of An Inclusive Creative Ecology (6/24/2020)
Empowerment and Digitization in Arts Management Education: A Critical Self-Reflection of a ‘Western’ Educator (6/24/2020)
Play as a foundation of common good (6/24/2020)
Museums and their Relevance in Borno State, Nigeria (6/24/2020)
When Intercultural Learning and Democracy Meet in Music: What Next? (6/24/2020)
The Right(s) to Remain: Art, Asylum, and Political Representation in Australia (3/3/2020)
The Importance of Urban Art for the Palestinian Resistance: International and National Art on the West Bank Wall (3/3/2020)
Cultural Diplomacy and the City (10/27/2019)
Reconciliation: Does Music Matter? (10/22/2018)
Brazilian Funk Can Make a Political Difference (10/20/2018)
Values and Pluralism in International Cultural Relations: A Return to Wittgenstein (5/14/2018)
Hypocrite, Actor, Politician… (5/14/2018)
Goodbye to the National Endowment for the Arts? (2/7/2018)
Cities Are Driving New Cultural Policies (2/7/2018)
The reality of fear (7/19/2017)
Is cooking neutral? (7/19/2017)
When Words Don’t Matter (7/19/2017)
How to live together? Or—Why do we go to festivals? (7/19/2017)
Reflections on Guerilla Art (7/19/2017)
Free Admissions Help Arts Organizations Build New Audiences. Not Really. (7/19/2017)
De-communization in Ukraine (7/19/2017)
Caricature or pornography of violence? (7/19/2017)
Culture Wars: Syria (7/19/2017)
Can cultural production make people less angry at each other? (7/19/2017)
The Art of Resilience (7/19/2017)
The Tender Power of Anger (7/19/2017)
Why me? (7/19/2017)
Imagine All the People (7/19/2017)
Do You Hear What I Hear? Empathizing With Many Voices in Cultural Production (7/19/2017)
Art, Labour, and Empathy (7/19/2017)
Empathy in an Orphanage in Afghanistan (7/18/2017)
Empathy: The Power of Healing (7/18/2017)
Theatre of Witness and Resistance (7/18/2017)
What Will Be Edinburgh’s Testimony? (7/18/2017)
Today’s Trial is Tomorrow’s Testimony (7/18/2017)
A Place of Seeing (7/18/2017)
You Have Seen Nothing In Syria (7/18/2017)
Let’s Dance (7/18/2017)
Does Western Performance Give Voice? (7/18/2017)
Silence, Voice, and the Dialogic Scream (7/18/2017)
Echoes of Silence (7/18/2017)
Participatory Practices (7/18/2017)
Highs and Lows in Tajikistan (7/18/2017)
New Territories for Literature in Contemporary Brazil (7/18/2017)
Highs and Lows: The Jazz Perspective (7/18/2017)
Lessons from Lowbrow Art (7/18/2017)
Art is Universal – Society is Local (7/18/2017)
The Destruction of Memory (1/21/2017)
The Cultural Implications of Performance (1/21/2017)
Political Contestation, Israeli Identities, and the Arts (3/13/2016)
Cultural Diplomacy Practices in a Small Island State: A Case Study on Malta (3/10/2016)
Reading Cookbooks: Israeli food and the international relations of the every day (3/8/2016)