https://theartsjournal.net/contact-us/2025-10-20T19:03:51+00:00weekly0.6https://theartsjournal.net/about-2/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-10-03-25-am.pngScreen Shot 2018-10-16 at 10.03.25 AMhttps://theartsjournal.net/wp-content/uploads/2015/07/screen-shot-2016-03-09-at-3-52-00-pm.pngScreen Shot 2016-03-09 at 3.52.00 PMhttps://theartsjournal.net/wp-content/uploads/2015/07/images-6.jpgimages-62025-10-20T19:02:42+00:00weekly0.6https://theartsjournal.net/about-2/editorial-board/https://theartsjournal.net/wp-content/uploads/2020/06/meenaksi-shedde_photo.jpgMeenaksi Shedde_Photohttps://theartsjournal.net/wp-content/uploads/2020/06/vangraan_photo.jpgVanGraan_Photohttps://theartsjournal.net/wp-content/uploads/2020/06/gratz_photo.jpgGratz_Photoifa / Victoria Tomaschkohttps://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-10-50-25-am.pngScreen Shot 2018-10-16 at 10.50.25 AMhttps://theartsjournal.net/wp-content/uploads/2015/07/1012240_646148298760622_172839900_n.jpgBinyavanga Wainainahttps://theartsjournal.net/wp-content/uploads/2015/07/screen-shot-2016-03-09-at-3-59-53-pm.pngScreen Shot 2016-03-09 at 3.59.53 PMhttps://theartsjournal.net/wp-content/uploads/2015/07/behamou-pic-itc3a3c2a9lc3a3c2a92009-015.jpegbehamou pic Itélé2009 015https://theartsjournal.net/wp-content/uploads/2015/07/tobymiller.jpgMillerhttps://theartsjournal.net/wp-content/uploads/2015/07/throsby.jpgThrosbyhttps://theartsjournal.net/wp-content/uploads/2015/07/sylvester.jpgSylvester2025-10-20T19:01:32+00:00weekly0.6https://theartsjournal.net/about-2/staff/https://theartsjournal.net/wp-content/uploads/2021/01/nooney-headshot-.jpgNooney Headshothttps://theartsjournal.net/wp-content/uploads/2021/01/marschall_zach-headshot-update.pngMarschall_Zach Headshot Updatehttps://theartsjournal.net/wp-content/uploads/2020/02/caroline-wesson-headshot.jpgCaroline Wesson Headshothttps://theartsjournal.net/wp-content/uploads/2020/02/zach-marschall-headshot.jpgZach Marschall Headshothttps://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-10-04-11-am.pngScreen Shot 2018-10-16 at 10.04.11 AMhttps://theartsjournal.net/wp-content/uploads/2017/12/aia-chrysagis.jpgAIA - Chrysagishttps://theartsjournal.net/wp-content/uploads/2015/08/232x232x170613120516_22331-e1502451174642.jpeg232x232x170613120516_22331https://theartsjournal.net/wp-content/uploads/2015/08/jp-singh-3.jpgJP Singh 3https://theartsjournal.net/wp-content/uploads/2015/08/12670620_10156533276180243_3769284105267558224_n.jpg12670620_10156533276180243_3769284105267558224_nhttps://theartsjournal.net/wp-content/uploads/2015/08/screen-shot-2016-03-10-at-4-35-38-pm-e1512792462314.pngScreen Shot 2016-03-10 at 4.35.38 PM2025-10-20T19:01:10+00:00weekly0.6https://theartsjournal.net/2021/01/29/nisbett-2/https://theartsjournal.net/wp-content/uploads/2021/01/tolerance.jpg#tolerance“#Tolerance” 3D sign promoting the Year of Tolerance campaign. Image credit: Robin Closehttps://theartsjournal.net/wp-content/uploads/2021/01/louvre.jpgLouvreLouvre Abu Dhabi. Image credit: Melissa Nisbetthttps://theartsjournal.net/wp-content/uploads/2021/01/advert.jpgAdvertSheikh Mohammed bin Rashid Al Maktoum on an advertising billboard with the words: “50 Years of Achievements”. Image credit: Robin Closehttps://theartsjournal.net/wp-content/uploads/2021/01/desert-excursion.jpgdesert excursionExcursion to the Arabian Desert. Image credit: Melissa Nisbett2021-03-09T01:38:07+00:00monthlyhttps://theartsjournal.net/2021/01/29/belkind/https://theartsjournal.net/wp-content/uploads/2021/01/fig02_02-color-e1612996039990.jpgfig02_02 - colorPhotograph by Fares S. Mansour. Sana‘ Moussa, Christmas Concert for Life and Peace at the Church of the Nativity.https://theartsjournal.net/wp-content/uploads/2021/01/fig02_01-color.jpgfig02_01 - colorPhotograph by Fares S. Mansour. Christmas Concert for Life and Peace at the Church of the Nativity.https://theartsjournal.net/wp-content/uploads/2021/01/fig02_02.jpgFigure 2Photograph by Fares S. Mansour. Sana‘ Moussa, Christmas Concert for Life and Peace at the Church of the Nativity.https://theartsjournal.net/wp-content/uploads/2021/01/fig02_01-.jpgFigure 1Photograph by Fares S. Mansour. Christmas Concert for Life and Peace at the Church of the Nativity.https://theartsjournal.net/wp-content/uploads/2021/01/post-pandemic-museums.pngPost Pandemic Museumshttps://theartsjournal.net/wp-content/uploads/2021/01/nobodys-going-to-fund-this.jpegNobodys going to fund thishttps://theartsjournal.net/wp-content/uploads/2021/01/can-soft-power.jpgCan Soft Powerhttps://theartsjournal.net/wp-content/uploads/2021/01/between-the-local.jpgBetween the Localhttps://theartsjournal.net/wp-content/uploads/2021/01/artists-as-agents-of-change.jpgArtists as Agents of Change2021-02-22T21:33:33+00:00monthlyhttps://theartsjournal.net/2021/01/29/lettau/https://theartsjournal.net/wp-content/uploads/2021/01/interference-2018-img_8112.jpgInterference 2018 IMG_8112Interference 2018, photo by Meike Lettauhttps://theartsjournal.net/wp-content/uploads/2021/01/dream-city-2017-img_6183.jpgDream City 2017 IMG_6183Dream City 2017, photo by Meike Lettauhttps://theartsjournal.net/wp-content/uploads/2021/01/de-colline-en-colline-2013-img_2705.jpgDe Colline en Colline 2013 IMG_2705De Colline en Colline 2013, photo by Meike Lettauhttps://theartsjournal.net/wp-content/uploads/2021/01/artists-as-agents-of-change-1.jpgMeike Lettau2021-02-10T22:48:24+00:00monthlyhttps://theartsjournal.net/2021/01/29/hudson/2021-02-10T22:40:39+00:00monthlyhttps://theartsjournal.net/2021/01/29/singh-2/https://theartsjournal.net/wp-content/uploads/2021/01/dsh_3124-copy.jpgDSH_3124 copyPhotographer: Stephen Baranovics Dancer: Daniel Phoenix Singh Courtesy of: Dakshina/Daniel Phoenix Singh Dance Companyhttps://theartsjournal.net/wp-content/uploads/2021/01/viaggio-moscow-e1612228215448.jpegViaggio MoscowShanul Sharma in Il Viaggio a Reims at the Bolshoi Theatre, Moscowhttps://theartsjournal.net/wp-content/uploads/2021/01/mainshot-mini-kapur.jpgMainshot- Mini KapurMini Kapurhttps://theartsjournal.net/wp-content/uploads/2021/01/mainshot-anjali-bhushan-nugyal.jpgMainshot- Anjali Bhushan NugyalAnjali Bhushan Nugyalhttps://theartsjournal.net/wp-content/uploads/2021/01/main-shot-daniel-phoenix-singh.jpgMain Shot- Daniel Phoenix SinghDaniel Phoenix Singh Photographer: Stephen Baranovics Courtesy of: Dakshina/Daniel Phoenix Singh Dance Companyhttps://theartsjournal.net/wp-content/uploads/2021/01/mainshot-opera-singer-shanul-sharma.jpegMainshot- Opera Singer Shanul Sharma Shanul Sharma2021-02-10T22:37:57+00:00monthlyhttps://theartsjournal.net/2021/01/29/marschall/https://theartsjournal.net/wp-content/uploads/2021/01/669px-diaatrium-e1612995020359.jpg669px-DIAAtriumBy Andrew Jameson - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=157018962021-02-10T22:06:47+00:00monthlyhttps://theartsjournal.net/2021/01/29/editorial-5-5/https://theartsjournal.net/wp-content/uploads/2021/01/aia-5-2.jpgAIA 5-2https://theartsjournal.net/wp-content/uploads/2021/01/aia-5-5.jpgAIA 5-52021-02-01T18:49:58+00:00monthlyhttps://theartsjournal.net/2020/06/24/barakeh/https://theartsjournal.net/wp-content/uploads/2020/06/on-the-ropes6a.jpgOn the Ropes6Ahttps://theartsjournal.net/wp-content/uploads/2020/06/on-the-ropes5a.jpgOn the Ropes5Ahttps://theartsjournal.net/wp-content/uploads/2020/06/on-the-ropes4a.jpgOn the Ropes4Ahttps://theartsjournal.net/wp-content/uploads/2020/06/on-the-ropes3a.jpgOn the Ropes3Ahttps://theartsjournal.net/wp-content/uploads/2020/06/on-the-ropes2a.jpgOn the Ropes2Ahttps://theartsjournal.net/wp-content/uploads/2020/06/on-the-ropes1a.jpgOn the Ropes1A2021-01-31T10:07:28+00:00monthlyhttps://theartsjournal.net/2020/06/24/chen/https://theartsjournal.net/wp-content/uploads/2020/06/screen-shot-2020-06-24-at-7.19.12-pm.pngWest-Eastern Divan OrchestraWest-Eastern Divan Orchestra with the Wiener Singverein at Großes Festspielhaus Salzburg, 2013-05-202021-01-31T10:07:16+00:00monthlyhttps://theartsjournal.net/2020/06/24/shallangwa/https://theartsjournal.net/wp-content/uploads/2020/06/plate-6.pngPlate 6Plate 6. Traditional war implements, Borno State Museum Exhibit. (Source: Author.)https://theartsjournal.net/wp-content/uploads/2020/06/plate-5.pngPlate 5Plate 5. Past traditional leaders of Borno, State Museum Exhibit. (Source: Author, 2019.)https://theartsjournal.net/wp-content/uploads/2020/06/plate-4.pngPlate 4Plate 4. Rabeh’s statue, Borno State Museum Courtyard. (Source: Author, 2019.)https://theartsjournal.net/wp-content/uploads/2020/06/plate-3.pngPlate 3Plate 3. Traditional Raffia products, Borno State Museum Exhibit. (Source: Author, 2019.)https://theartsjournal.net/wp-content/uploads/2020/06/plate-2.pngPlate 2Plate 2. Traditional Borno male garment, National Museum Maiduguri exhibit. (Source: Author, 2019.)https://theartsjournal.net/wp-content/uploads/2020/06/plate-1.pngPlate 12021-01-31T10:07:08+00:00monthlyhttps://theartsjournal.net/2020/06/24/tam/https://theartsjournal.net/wp-content/uploads/2020/06/figure-5.pngFigure 5Photo 5. Mr Leung, a retired factory technician living in the area for over thirty years, generously brings love and care to the community by giving people a place to rest with his handmade wooden lounge chairs, thanks to his great craftwork skills.https://theartsjournal.net/wp-content/uploads/2020/06/figure-4.pngFigure 4Photo 4. An everyday scene at Play Depot, where artists join the children from the neighbourhood to play and have fun together.https://theartsjournal.net/wp-content/uploads/2020/06/figure-3.pngFigure 3Photo 3. Play Depot works to transform underutilized public spaces into community playgrounds where people can create something on their own and unleash their creativity and aspires to create a socially inclusive space through co-creation approaches.https://theartsjournal.net/wp-content/uploads/2020/06/figure-2.pngFigure 2Photo 2. Opposite to our project space is a sixty-year-old neighbourhood of around eighty eight-storey buildings, where low-income families from ethnic minorities and newcomers from Mainland China are located.https://theartsjournal.net/wp-content/uploads/2020/06/figure-1-1.pngFigure 1Photo 1. The Play Depot connects residents with a supportive community network where various activities are self-organised.2021-01-31T10:07:00+00:00monthlyhttps://theartsjournal.net/2020/06/24/vitorillo/https://theartsjournal.net/wp-content/uploads/2020/06/screen-shot-2020-06-24-at-6.10.58-pm.pngPhoto by: Daniel Kucin Jr.May 25, 2016: The Filipino Cultural Association of The University of Maryland (College Park) perform. Fort Meade celebrated Asian Pacific Heritage Month. Photo by: Daniel Kucin Jr. Baltimore Sunhttps://theartsjournal.net/wp-content/uploads/2020/06/screen-shot-2020-06-24-at-5.34.58-pm.pngFigure 1Figure 1. Locally-funded projects under the General Appropriations Act (as of December 2018).2021-01-31T10:06:53+00:00monthlyhttps://theartsjournal.net/2020/06/24/henze/https://theartsjournal.net/wp-content/uploads/2020/06/screen-shot-2020-06-24-at-5.01.06-pm.pngFig 3Figure 3: (dpa/picture alliance/ANP/Robin van Lonkhuijsen).https://theartsjournal.net/wp-content/uploads/2020/06/figure-1.pngFigure 1https://theartsjournal.net/wp-content/uploads/2020/06/fig-2.pngFig 22021-01-31T10:06:44+00:00monthlyhttps://theartsjournal.net/2020/06/24/florea/https://theartsjournal.net/wp-content/uploads/2020/06/nu-nu-theater-textiles.pngNu Nu Theater TextilesTextile made by Ileana Gherghina for Oresteia costumes. Colours obtained using plants.2021-01-31T10:06:36+00:00monthlyhttps://theartsjournal.net/2020/06/24/shinde/https://theartsjournal.net/wp-content/uploads/2020/06/jazz.pngJazzhttps://theartsjournal.net/wp-content/uploads/2020/06/henze.pngHenzehttps://theartsjournal.net/wp-content/uploads/2020/06/2019mm106_biophoto_barakeh.jpg2019MM106_BioPhoto_Barakehhttps://theartsjournal.net/wp-content/uploads/2020/06/2019lf109_biophoto_jason-vitorillo.jpg2019LF109_BioPhoto_Jason Vitorillohttps://theartsjournal.net/wp-content/uploads/2020/06/2019lf106_biophoto_mihai-florea.jpg2019LF106_BioPhoto_Mihai Floreahttps://theartsjournal.net/wp-content/uploads/2020/06/2019b106_biophoto_gargi-shinde.jpg2019B106_BioPhoto_Gargi Shindehttps://theartsjournal.net/wp-content/uploads/2020/06/2019b105_bio-photo_zainab-shallangwa.jpg2019B105_Bio Photo_Zainab Shallangwahttps://theartsjournal.net/wp-content/uploads/2020/06/2019b103_biophoto-alex-tam.jpg2019B103_BioPhoto Alex Tamhttps://theartsjournal.net/wp-content/uploads/2020/06/2019b102_biophoto_qinhan-chen.jpg2019B102_BioPhoto_Qinhan Chen2021-01-31T10:06:14+00:00monthlyhttps://theartsjournal.net/2020/06/24/editorial5-1/https://theartsjournal.net/wp-content/uploads/2020/06/cover-photo-copy.jpgCover Photo copyThis image was marked with a CC BY 2.0 license. https://ccsearch.creativecommons.org/photos/a35093b8-8a02-4de0-84e5-38bda24a0b572021-01-31T10:06:04+00:00monthlyhttps://theartsjournal.net/past-issues/democratizing-arts/2021-01-28T20:24:10+00:00weekly0.6https://theartsjournal.net/past-issues/https://theartsjournal.net/wp-content/uploads/2020/06/aia-4-3-cover.pngAIA 4-3 coverhttps://theartsjournal.net/wp-content/uploads/2019/04/screen-shot-2019-04-01-at-4.12.52-pm.pngScreen Shot 2019-04-01 at 4.12.52 PMhttps://theartsjournal.net/wp-content/uploads/2019/04/screen-shot-2019-04-01-at-4.12.56-pm.pngScreen Shot 2019-04-01 at 4.12.56 PMhttps://theartsjournal.net/wp-content/uploads/2019/04/screen-shot-2019-04-01-at-4.12.46-pm.pngScreen Shot 2019-04-01 at 4.12.46 PMhttps://theartsjournal.net/wp-content/uploads/2019/04/screen-shot-2019-04-01-at-4.13.00-pm.pngAIA 3.2https://theartsjournal.net/wp-content/uploads/2019/04/screen-shot-2019-04-01-at-4.12.42-pm.pngScreen Shot 2019-04-01 at 4.12.42 PMhttps://theartsjournal.net/wp-content/uploads/2019/04/screen-shot-2019-04-01-at-4.12.36-pm.pngScreen Shot 2019-04-01 at 4.12.36 PMhttps://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-11-57-04-am.pngScreen Shot 2018-10-16 at 11.57.04 AM2020-07-01T23:34:39+00:00weekly0.6https://theartsjournal.net/2020/03/03/kompatsiaris-and-sylvester/https://theartsjournal.net/wp-content/uploads/2020/03/sylvester-book-cover.jpgSylvester Book Coverhttps://theartsjournal.net/wp-content/uploads/2020/03/names_of_vietnam_veterans.jpgNames_of_Vietnam_VeteransImage by Hu Totya of the Vietnam Veterans Memorialhttps://theartsjournal.net/wp-content/uploads/2020/03/sylvester.pngSylvesterhttps://theartsjournal.net/wp-content/uploads/2020/03/sylvester_bio-photo-1.jpgSylvester_Bio Photohttps://theartsjournal.net/wp-content/uploads/2020/03/kompatsiaris_bio-photo.jpgKompatsiaris_Bio Photo2020-06-25T00:15:06+00:00monthlyhttps://theartsjournal.net/2020/03/03/xuereb-2/https://theartsjournal.net/wp-content/uploads/2020/03/xuereb-thumbnail-image.jpgXuereb Thumbnail Image: “European Union flag P5132670” by Klaas Brumann is licensed under No Copyright – Public Domain. https://theartsjournal.net/wp-content/uploads/2020/03/xuereb_bio-photo.jpgXuereb_Bio Photo2020-06-25T00:14:57+00:00monthlyhttps://theartsjournal.net/2020/03/03/fabiana-kent-paiva/https://theartsjournal.net/wp-content/uploads/2020/03/photo-4.jpgPhoto 4https://theartsjournal.net/wp-content/uploads/2020/03/banksy-2.jpgBanksy 2https://theartsjournal.net/wp-content/uploads/2020/03/banksy-1.jpgBanksy 1https://theartsjournal.net/wp-content/uploads/2020/03/photo-1.jpgPhoto 1https://theartsjournal.net/wp-content/uploads/2020/03/paiva_bio-photo.jpgPaiva_Bio Photo2020-06-25T00:14:48+00:00monthlyhttps://theartsjournal.net/2020/03/03/garnsey/https://theartsjournal.net/wp-content/uploads/2020/03/hoda-afshar-remain.pngHODA AFSHAR Remainhttps://theartsjournal.net/wp-content/uploads/2020/03/afshar-film.pngAfshar filmhttps://theartsjournal.net/wp-content/uploads/2020/03/figure-2.pngFigure 2https://theartsjournal.net/wp-content/uploads/2020/03/figure-1.pngFigure 1https://theartsjournal.net/wp-content/uploads/2020/03/garnsey_bio-photo.jpgGarnsey_Bio Photo2020-06-25T00:14:37+00:00monthlyhttps://theartsjournal.net/2020/03/03/editorial-4-3/https://theartsjournal.net/wp-content/uploads/2020/03/banksy-flower-thrower-1-1.jpgbanksy-flower-thrower (1)https://theartsjournal.net/wp-content/uploads/2020/03/banksy-flower-thrower-1.jpgbanksy-flower-throwerhttps://theartsjournal.net/wp-content/uploads/2020/03/banksy-flower-thrower.jpgbanksy-flower-throwerhttps://theartsjournal.net/wp-content/uploads/2020/03/aia.jpgAIA"Grace" by michaelwrose is licensed under CC BY-NC-ND 2.0https://theartsjournal.net/wp-content/uploads/2020/03/hoda-afshar-film-still.pngHoda Afshar film stillhttps://theartsjournal.net/wp-content/uploads/2020/03/taika-waititi.jpgTaika WaititiPhoto credit: “153080_RH5_3219” by Walt Disney Television is licensed under CC BY-ND 2.0.https://theartsjournal.net/wp-content/uploads/2020/03/aia-4-2-1.pngAIA 4-2Hoda Afshar, Remain (still), 2018. Two-channel digital video, colour, sound.https://theartsjournal.net/wp-content/uploads/2020/03/mary-sibande.jpgMary Sibandehttps://theartsjournal.net/wp-content/uploads/2020/03/taika-waititi-wikimedia-commons.jpgTaika Waititi - Wikimedia Commons2020-06-25T00:04:02+00:00monthlyhttps://theartsjournal.net/2020/03/03/toohey/https://theartsjournal.net/wp-content/uploads/2020/03/toohey-thumbnail-image.jpgToohey Thumbnail Imagehttps://theartsjournal.net/wp-content/uploads/2020/03/credit-to-aaron-montes.pngCredit to Aaron MontesImage taken from: https://www.mineromagazine.com/murals-still-stand-despite-demolition-talk/2020-06-25T00:03:55+00:00monthlyhttps://theartsjournal.net/past-issues/v4is3winter2020/2020-06-24T04:32:54+00:00weekly0.6https://theartsjournal.net/volume-3-issue-3-volume-4/2020-06-24T04:08:10+00:00weekly0.6https://theartsjournal.net/2019/10/27/priewe/https://theartsjournal.net/wp-content/uploads/2019/10/img_20190927_165459212_hdr.jpgIMG_20190927_165459212_HDRhttps://theartsjournal.net/wp-content/uploads/2019/10/author-photo-priewe.jpgAuthor Photo - Priewe2020-03-03T19:40:30+00:00monthlyhttps://theartsjournal.net/2019/10/27/mohammed/https://theartsjournal.net/wp-content/uploads/2019/10/img_20190926_083957919_hdr.jpgIMG_20190926_083957919_HDRhttps://theartsjournal.net/wp-content/uploads/2019/10/img_20190215_134910_020.jpgIMG_20190215_134910_020https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-mohammed.jpgAuthor Photo - Mohammed2020-03-03T19:40:20+00:00monthlyhttps://theartsjournal.net/2019/10/27/zielinska/https://theartsjournal.net/wp-content/uploads/2019/10/screen-shot-2019-10-27-at-10.23.34-am.pngFilmFreeway Sarajevo Femme Fatale stillhttps://theartsjournal.net/wp-content/uploads/2019/10/author-photo-zielinska.jpgAuthor Photo - Zielinska2020-03-03T19:40:11+00:00monthlyhttps://theartsjournal.net/2019/10/27/marlin-bennett-2/https://theartsjournal.net/wp-content/uploads/2019/10/screen-shot-2019-10-30-at-11.10.33-am.pngScreen Shot 2019-10-30 at 11.10.33 AMhttps://theartsjournal.net/wp-content/uploads/2019/10/img_4229-1.jpgIMG_4229 1https://theartsjournal.net/wp-content/uploads/2019/10/img_2944-1.jpgIMG_2944 1https://theartsjournal.net/wp-content/uploads/2019/10/img_2719-1.jpgIMG_2719 1https://theartsjournal.net/wp-content/uploads/2019/10/img_2696-1.jpgIMG_2696 1https://theartsjournal.net/wp-content/uploads/2019/10/img_2686-1.jpgIMG_2686 1https://theartsjournal.net/wp-content/uploads/2019/10/img_2638-copy.jpgIMG_2638 copyhttps://theartsjournal.net/wp-content/uploads/2019/10/figure-5.jpgFigure 5Figure 5. Photograph of a Banksy Graffiti Artwork by Markus Ortner, 2005. Available online at https://en.wikipedia.org/wiki/Banksy#/media/File:Mauer-betlehem.jpg (Accessed 14 October 2019).https://theartsjournal.net/wp-content/uploads/2019/10/figure-4.jpgFigure 4Figure 4. Mira Awad (on the left) and Noa (Achinoam Nini), 2009 Eurovision Contest. Available online at http://www.eurovision.de/teilnehmer/Israel-Noa-Mira-Awad,noamira121.html (Accessed 14 October 2019). Image credit: Ronen Akerman.https://theartsjournal.net/wp-content/uploads/2019/10/figure-2.pngFigure 2Figure 2. Power, Focus on the Arrow.2020-03-03T19:39:59+00:00monthlyhttps://theartsjournal.net/2019/10/27/theme-ii-reflections-on-borders/https://theartsjournal.net/wp-content/uploads/2019/10/img_20190121_085016632.jpgIMG_20190121_085016632https://theartsjournal.net/wp-content/uploads/2019/10/img_20190215_134910_020.pngIMG_20190215_134910_020https://theartsjournal.net/wp-content/uploads/2019/10/img_20190215_134910_020-1.jpgIMG_20190215_134910_0202020-03-03T19:39:49+00:00monthlyhttps://theartsjournal.net/2019/10/29/theme-1/2020-03-03T19:39:33+00:00monthlyhttps://theartsjournal.net/2019/10/29/j-p-singh/https://theartsjournal.net/wp-content/uploads/2019/10/editorial.pngEditorialhttps://theartsjournal.net/wp-content/uploads/2019/10/screen-shot-2019-10-28-at-10.21.31-pm.pngScreen Shot 2019-10-28 at 10.21.31 PMhttps://theartsjournal.net/wp-content/uploads/2019/10/author-photo-j.p.-singh.jpgAuthor Photo - J.P. SinghFigure 1. JP Singh with the professor dwarf at the University of Wroclaw, July 2019. There are over 400 different dwarfs in Wroclaw, commemorating the symbol of the Polish anti-communist movement Orange Alternative, which started in Wroclaw in the 1980s.2020-03-03T19:39:20+00:00monthlyhttps://theartsjournal.net/past-issues/cosmopolitanism-4-2-2019/https://theartsjournal.net/wp-content/uploads/2020/03/aia-4-2.pngAIA 4-22020-03-03T16:50:46+00:00weekly0.6https://theartsjournal.net/2019/10/28/langer/https://theartsjournal.net/wp-content/uploads/2019/10/wtp.jpgwtpImage taken from: https://www.paih.gov.pl/investment_support/industrial_and_technology_parks/wroclaw_tphttps://theartsjournal.net/wp-content/uploads/2019/10/author-photo-langer.pngAuthor Photo - Langer2019-11-01T21:25:57+00:00monthlyhttps://theartsjournal.net/2019/10/29/mutor/https://theartsjournal.net/wp-content/uploads/2019/10/figure-6.jpgFigure 6https://theartsjournal.net/wp-content/uploads/2019/10/figure-5-2.jpgFigure 5https://theartsjournal.net/wp-content/uploads/2019/10/figure-4-2.jpgFigure 4https://theartsjournal.net/wp-content/uploads/2019/10/figure-3-3.jpgFigure 3https://theartsjournal.net/wp-content/uploads/2019/10/figure-2-3.jpgFigure 2https://theartsjournal.net/wp-content/uploads/2019/10/figure-1-5.jpgFigure 1https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-mutor.jpgAuthor Photo - Mutor2019-11-01T21:17:20+00:00monthlyhttps://theartsjournal.net/past-issues/3-3-4-1/https://theartsjournal.net/wp-content/uploads/2019/11/screen-shot-2019-11-01-at-4.07.15-pm.pngScreen Shot 2019-11-01 at 4.07.15 PM2019-11-01T20:12:11+00:00weekly0.6https://theartsjournal.net/2019/10/27/dutkiewicz/https://theartsjournal.net/wp-content/uploads/2019/10/figure-5-1.jpg Figure 5. Wrocław's location on the map of Europe.https://theartsjournal.net/wp-content/uploads/2019/10/screen-shot-2019-10-27-at-10.33.05-am.pngFigure 4. Water tower, Wroclaw. Photograph courtesy of “The Hydropolis” archives.https://theartsjournal.net/wp-content/uploads/2019/10/figure-3.jpgFigure 3Figure 3. Events that have influenced the city's development over the past few decades.https://theartsjournal.net/wp-content/uploads/2019/10/figure-2b.pngFigure 2bFigure 2b. Rędziński bridge, Wrocław. Photograph by Maciej Kulczyński.https://theartsjournal.net/wp-content/uploads/2019/10/figure-2a.jpgFigure 2aFigure 2a. Rędziński bridge, Wroclaw. Photograph by Krzysztof Szymoniak.https://theartsjournal.net/wp-content/uploads/2019/10/figure-1.jpgFigure 1Figure 1. Statistical information about Wroclaw. The population is actually much higher because in Poland many inhabitants do not register. The estimated number of unregistered “Wroclawians” is about 100,000–200,000.https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-dutkiewicz.jpegAuthor Photo - Dutkiewicz2019-11-01T19:54:50+00:00monthlyhttps://theartsjournal.net/2019/10/27/dutkiewicz-interview/2019-11-01T19:54:13+00:00monthlyhttps://theartsjournal.net/2019/10/28/my-wroclaw/https://theartsjournal.net/wp-content/uploads/2019/10/figure-1-1.jpgFigure 12019-11-01T19:52:38+00:00monthlyhttps://theartsjournal.net/2019/10/28/fret/https://theartsjournal.net/wp-content/uploads/2019/10/figure-2.jpgFigure 2Figure 2. The Prisoner, performance by Théâtre des Bouffes du Nord, directed by Peter Brook and Marie-Hélène Estienne. Photo by Tobiasz Papuczys.https://theartsjournal.net/wp-content/uploads/2019/10/figure-1-2.jpgFigure 1Figure 1. Centre for Performing Arts Bakery. Photo by Tobiasz Papuczys.https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-fret-credit-tobiasz-papuczys.jpgAuthor Photo - Fret (credit-Tobiasz Papuczys)2019-11-01T19:50:58+00:00monthlyhttps://theartsjournal.net/2019/10/28/janusikandgrin/https://theartsjournal.net/wp-content/uploads/2019/10/figure-4-1.jpgFigure 4Figure 4. The National Ossoliński Institute, the oldest publishing house in Poland. Credit: Max Pflegel/Wroclaw Literature House.https://theartsjournal.net/wp-content/uploads/2019/10/figure-3-1.jpgFigure 3Figure 3. The building of the University Library in Wroclaw. Credit: Max Pflegel/Wroclaw Literature House.https://theartsjournal.net/wp-content/uploads/2019/10/figure-2-1.jpgFigure 2Figure 2. Pan Tadeusz Museum on the Main Square in Wroclaw. Credit: Max Pflegel/Wroclaw Literature House.https://theartsjournal.net/wp-content/uploads/2019/10/figure-1-3.jpgFigure 1Figure 1. Club Proza at the Wroclaw Literature House. Credit: Rafał Komorowski/Miesiąc Spotkań Autorskich.https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-janusik-credit-marta-boska.jpgAuthor Photo - Janusik (credit-Marta Boska)https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-kaminska-sztark.jpgAuthor Photo - Kaminska-Sztark2019-11-01T19:50:10+00:00monthlyhttps://theartsjournal.net/2019/10/28/kahan/https://theartsjournal.net/wp-content/uploads/2019/10/1280px-synagoga_pod_biac582ym_bocianem_2008_-_2.jpeg1280px-Synagoga_Pod_Białym_Bocianem_(2008)_-_2https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-kahan.jpgAuthor Photo - Kahan2019-11-01T19:49:01+00:00monthlyhttps://theartsjournal.net/2019/10/28/kaminska-sztark/https://theartsjournal.net/wp-content/uploads/2019/10/5716viki_uniwersytet_wrocc582awski_-_gmach_gc582occ81wny_widziany_z_mostocc81w_pomorskich._foto_barbara_maliszewska.jpgBy Barbara Maliszewska - Own work, CC BY-SA 3.0 pl, https://commons.wikimedia.org/w/index.php?curid=281159692019-11-01T19:48:03+00:00monthlyhttps://theartsjournal.net/2019/10/28/kaucz/https://theartsjournal.net/wp-content/uploads/2019/10/rynek_starego_miasta_we_wroclawiu_152991773.jpegRynek_Starego_Miasta_We_Wroclawiu_(152991773)https://theartsjournal.net/wp-content/uploads/2019/10/screen-shot-2019-10-28-at-4.09.27-pm.pngScreen Shot 2019-10-28 at 4.09.27 PM2019-11-01T19:46:23+00:00monthlyhttps://theartsjournal.net/2019/10/28/nfm/https://theartsjournal.net/wp-content/uploads/2019/10/narodowe_forum_muzyki_we_wrocc582awiu_sala_gc582occ81wna.jpgNarodowe_Forum_Muzyki_we_Wrocławiu,_Sala_Głównahttps://theartsjournal.net/wp-content/uploads/2019/10/author-photo-kosendiak.pngAuthor Photo - Kosendiak2019-11-01T19:45:31+00:00monthlyhttps://theartsjournal.net/2019/10/29/mackow/https://theartsjournal.net/wp-content/uploads/2019/10/wroclaw_uniwersytet_wroclawski_przed_switem.jpgWroclaw_Uniwersytet_Wroclawski_przed_switemhttps://theartsjournal.net/wp-content/uploads/2019/10/author-photo-mackow-credit-maria-mackow.jpgAuthor Photo - Mackow (credit-Maria Mackow)2019-11-01T19:37:57+00:00monthlyhttps://theartsjournal.net/2019/10/29/nowe-zerniki/https://theartsjournal.net/wp-content/uploads/2019/10/figure-4.jpegFigure 4Figure 4. Nowe Żerniki, September 2019. photo: Maciej Lulko.https://theartsjournal.net/wp-content/uploads/2019/10/figure-3-2.jpgFigure 3Figure 3. Nowe Żerniki, September 2019. photo: Maciej Lulko.https://theartsjournal.net/wp-content/uploads/2019/10/figure-2-2.jpgFigure 2Figure 2. Nowe Żerniki, September 2019. photo: Maciej Lulko.https://theartsjournal.net/wp-content/uploads/2019/10/figure-1-4.jpgFigure 1Figure 1. Nowe Żerniki, September 2019. photo: Maciej Lulko.2019-11-01T19:36:26+00:00monthlyhttps://theartsjournal.net/2019/10/29/zagrobelny/https://theartsjournal.net/wp-content/uploads/2019/10/author-photo-zagrobelny.pngAuthor Photo - Zagrobelnyhttps://theartsjournal.net/wp-content/uploads/2019/10/30661536860_44b864d6a6_o.jpg30661536860_44b864d6a6_oPhoto taken by Slawomir Wawakhttps://theartsjournal.net/wp-content/uploads/2019/10/author-photo-zielinska-1.jpgAuthor Photo - Zielinska2019-11-01T19:34:25+00:00monthlyhttps://theartsjournal.net/theme-1/https://theartsjournal.net/wp-content/uploads/2019/10/screen-shot-2019-10-28-at-10.45.05-pm.pngScreen Shot 2019-10-28 at 10.45.05 PM2019-10-29T03:21:53+00:00weekly0.6https://theartsjournal.net/2019/03/28/monument-for-chelsea-manning/https://theartsjournal.net/wp-content/uploads/2019/03/c_manning_finish-1.jpgC_Manning_Finish-1https://theartsjournal.net/wp-content/uploads/2019/03/10.jpg10Figure 10. Aftercare. https://theartsjournal.net/wp-content/uploads/2019/03/9.jpg9Figure 9. Statue of Queen Victoria, as exhibited at the U.C.C. 150th Anniversary Exhibition, 1995, University College Cork.https://theartsjournal.net/wp-content/uploads/2019/03/8c.jpg8cFigure 8c. Queen Victoria statue disinterred, 1994, University College Cork. Courtesy of UCC Archives.https://theartsjournal.net/wp-content/uploads/2019/03/8b.jpgFigure 8b. Queen Victoria statue disinterred, 1994, University College Cork. Courtesy of UCC Archives.Figure 8b. Queen Victoria statue disinterred, 1994, University College Cork. Courtesy of UCC Archives.https://theartsjournal.net/wp-content/uploads/2019/03/8a.pngFigure 8a. Queen Victoria and her retinue in Cork (Statue of Queen Victoria on gable end of building – left hand side of image). Courtesy of UCC Archives.https://theartsjournal.net/wp-content/uploads/2019/03/7.jpgFigure 7. Stonewall Jackson statue, Emancipation Park, Charlottesville.https://theartsjournal.net/wp-content/uploads/2019/03/6b.jpgFigure 6b. The library, Conway Hall Ethical Society, Red Lion Square, London.https://theartsjournal.net/wp-content/uploads/2019/03/6a.jpgConway Hallhttps://theartsjournal.net/wp-content/uploads/2019/03/5-2.jpgFigure 5. Monument to Victorian engineer Isambard Kingdom Brunel, Neyland, Pembrokeshire (replica of stolen memorial. Unveiled April 2013).2019-10-29T03:20:31+00:00monthlyhttps://theartsjournal.net/2019/03/28/networked-cultures/https://theartsjournal.net/wp-content/uploads/2019/03/9-1.jpgUNTIE TO TIEhttps://theartsjournal.net/wp-content/uploads/2019/03/8.jpgMartin Roth Symposium 2018https://theartsjournal.net/wp-content/uploads/2019/03/7-1.jpgMartin Roth Symposium 2018https://theartsjournal.net/wp-content/uploads/2019/03/6.jpg6https://theartsjournal.net/wp-content/uploads/2019/03/5-3.jpg5https://theartsjournal.net/wp-content/uploads/2019/03/4-4.jpg4https://theartsjournal.net/wp-content/uploads/2019/03/3-3.jpg3https://theartsjournal.net/wp-content/uploads/2019/03/2-4.jpg2https://theartsjournal.net/wp-content/uploads/2019/03/1-4.jpg1https://theartsjournal.net/wp-content/uploads/2019/03/ronald-grae295a0c3aatz.pngRonald Gra╠êtz2019-10-29T03:20:10+00:00monthlyhttps://theartsjournal.net/2019/03/28/kaa-rada/https://theartsjournal.net/wp-content/uploads/2019/03/7b.jpg7bFigure 7b. Ebu. Mathare, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/7a.jpg7aFigure 7a. Members of Mathare Empire hip-hop group freestyling. Mathare, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/6b-1.jpg6bFigure 6b. Joe with Kibera in the background. Kibera, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/6a-1.jpg6aFigure 6a. Joe. Kibera, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/5b.jpg5bFigure 5b. Vacant room available. Viwandani, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/5a.jpg5aFigure 5a. The house door with a beautiful sheet. Viwandani, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/4b.jpg4bFigure 4b. Eddy sitting in the street. Mathare, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/4a.jpg4aFigure 4a.  Eddy during a boxing match in Kibera. Kibera, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/3b.jpg3bFigure 3b. Isaac “Kaka” sitting next to a peace graffiti. Mathare, Nairobi.https://theartsjournal.net/wp-content/uploads/2019/03/3a.jpg3aFigure 3a. Isaac “Kaka” during a group meeting. Mathare, Nairobi.2019-10-29T03:20:01+00:00monthlyhttps://theartsjournal.net/2019/03/28/oliver-ressler-catastrophe-bonds/https://theartsjournal.net/wp-content/uploads/2019/03/4.jpg4https://theartsjournal.net/wp-content/uploads/2019/03/3.jpgFigure 3https://theartsjournal.net/wp-content/uploads/2019/03/2.jpgFigure 2https://theartsjournal.net/wp-content/uploads/2019/03/1.jpgFigure 12019-10-29T03:17:42+00:00monthlyhttps://theartsjournal.net/2019/03/28/playing-for-change/https://theartsjournal.net/wp-content/uploads/2019/03/amani.jpgMONUSCO Photos [CC BY-SA 2.0 (https://creativecommons.org/licenses/by-sa/2.0)]2019-10-29T03:17:22+00:00monthlyhttps://theartsjournal.net/2019/03/28/the-coding-cave/https://theartsjournal.net/wp-content/uploads/2019/03/fishbowl.pngfishbowl2019-10-29T03:17:13+00:00monthlyhttps://theartsjournal.net/2019/03/28/international-touring/https://theartsjournal.net/wp-content/uploads/2019/03/screen-shot-2019-03-29-at-9.29.40-am.pngScreen Shot 2019-03-29 at 9.29.40 AMhttps://theartsjournal.net/wp-content/uploads/2019/03/5.jpg5https://theartsjournal.net/wp-content/uploads/2019/03/4-1.jpgFigure 4. Scottish Ensemble musicians working with a national Brazilian youth orchestra.https://theartsjournal.net/wp-content/uploads/2019/03/3-1.jpgFigure 3https://theartsjournal.net/wp-content/uploads/2019/03/2-1.jpg2https://theartsjournal.net/wp-content/uploads/2019/03/1-1.jpgFigure 1Scottish Ensemble musicians in performance2019-10-29T03:17:02+00:00monthlyhttps://theartsjournal.net/2019/03/28/multimodality-anthropology/https://theartsjournal.net/wp-content/uploads/2019/03/5-1.jpg5https://theartsjournal.net/wp-content/uploads/2019/03/4-2.jpg4https://theartsjournal.net/wp-content/uploads/2019/03/3-2.jpg3https://theartsjournal.net/wp-content/uploads/2019/03/2-2.jpg2https://theartsjournal.net/wp-content/uploads/2019/03/1-2.jpg1https://theartsjournal.net/wp-content/uploads/2019/03/harjant-gill.jpgHarjant Gill2019-10-29T03:16:51+00:00monthlyhttps://theartsjournal.net/2019/03/28/editorial-2/https://theartsjournal.net/wp-content/uploads/2019/03/1-copy-2.jpg1 copyhttps://theartsjournal.net/wp-content/uploads/2019/03/1-copy-1.jpg1 copyhttps://theartsjournal.net/wp-content/uploads/2019/03/1-copy.jpg1 copyhttps://theartsjournal.net/wp-content/uploads/2019/03/1-original.jpg1 originalhttps://theartsjournal.net/wp-content/uploads/2019/03/1-original-copy-1.jpg1 original copyhttps://theartsjournal.net/wp-content/uploads/2019/03/1-original-copy.jpg1 original copyhttps://theartsjournal.net/wp-content/uploads/2019/03/1-6.jpg1https://theartsjournal.net/wp-content/uploads/2019/03/1-5.jpg1https://theartsjournal.net/wp-content/uploads/2019/03/screen-shot-2019-04-01-at-3.56.58-pm.pngScreen Shot 2019-04-01 at 3.56.58 PMhttps://theartsjournal.net/wp-content/uploads/2019/03/screen-shot-2019-03-28-at-11.51.33-pm.pngFigure 1: Moving from Textual Exclusivity to Multimodal Inclusivity.2019-10-29T03:16:39+00:00monthlyhttps://theartsjournal.net/2019/10/28/editors-note/2019-10-28T18:32:26+00:00monthlyhttps://theartsjournal.net/past-issues/3-2/2019-07-21T15:04:13+00:00weekly0.6https://theartsjournal.net/about-2/about-aia/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-10-45-52-am.pngScreen Shot 2018-10-16 at 10.45.52 AMhttps://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-10-04-21-am-e1539701043766.pngScreen Shot 2018-10-16 at 10.04.21 AMhttps://theartsjournal.net/wp-content/uploads/2015/07/logo14.pngLogo14https://theartsjournal.net/wp-content/uploads/2015/07/logo12.pngLogo12https://theartsjournal.net/wp-content/uploads/2015/07/logo11.pngLogo11https://theartsjournal.net/wp-content/uploads/2015/07/logo10.pngLogo10https://theartsjournal.net/wp-content/uploads/2015/07/logo9.pngLogo9https://theartsjournal.net/wp-content/uploads/2015/07/logo13.pngLogo13https://theartsjournal.net/wp-content/uploads/2015/07/images-41.jpgimages-4https://theartsjournal.net/wp-content/uploads/2015/07/imgres-4.jpgimgres-42019-05-14T13:38:47+00:00weekly0.6https://theartsjournal.net/about-2/submission-guidelines/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-10-52-08-am.pngScreen Shot 2018-10-16 at 10.52.08 AMhttps://theartsjournal.net/wp-content/uploads/2015/07/screen-shot-2016-03-10-at-4-36-00-pm.pngScreen Shot 2016-03-10 at 4.36.00 PMhttps://theartsjournal.net/wp-content/uploads/2015/07/screen-shot-2016-03-09-at-4-06-42-pm.pngScreen Shot 2016-03-09 at 4.06.42 PMhttps://theartsjournal.net/wp-content/uploads/2015/07/images-51.jpgimages-52019-05-14T13:37:41+00:00weekly0.6https://theartsjournal.net/issue1-1/https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-38-am1.pngScreen Shot 2018-05-14 at 9.00.38 AMhttps://theartsjournal.net/wp-content/uploads/2018/05/audience-c2a9-stuart-armitt-2013.jpgAudience © Stuart Armitt 2013https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-22-am1.pngArticle 1https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-38-am.pngArticle 4https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-38-am-1.pngArticle 6https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-37-am.pngArticle 5https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-33-am.pngArticle 3https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-03-am.pngScreen Shot 2018-05-14 at 9.00.03 AMhttps://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-9-00-22-am.pngArticle 1https://theartsjournal.net/wp-content/uploads/2018/02/screen-shot-2018-02-08-at-1-20-17-pm.pngScreen Shot 2018-02-08 at 1.20.17 PM2019-04-17T20:30:57+00:00weekly0.6https://theartsjournal.net/3-3-4-1/2019-04-16T00:13:25+00:00weekly0.6https://theartsjournal.net/2016/03/03/the-introductory-issue/2019-04-15T18:23:18+00:00monthlyhttps://theartsjournal.net/2018/12/18/aia-3-2/https://theartsjournal.net/wp-content/uploads/2018/12/Screen-Shot-2018-12-18-at-10.29.07-AM.pngCover image2019-04-15T18:03:29+00:00monthlyhttps://theartsjournal.net/editorial/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-11-34-38-am.pngScreen Shot 2018-10-16 at 11.34.38 AMhttps://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-10-36-06-pm.pngScreen Shot 2018-05-14 at 10.36.06 PMhttps://theartsjournal.net/wp-content/uploads/2015/12/screen-shot-2016-03-10-at-4-35-49-pm.pngScreen Shot 2016-03-10 at 4.35.49 PMhttps://theartsjournal.net/wp-content/uploads/2015/12/screen-shot-2016-03-09-at-4-20-21-pm.pngScreen Shot 2016-03-09 at 4.20.21 PM2019-04-02T19:52:11+00:00weekly0.6https://theartsjournal.net/2018/10/25/editorial-3-2/https://theartsjournal.net/wp-content/uploads/2018/10/cb-music-fig22-egyptianstringedinstruments.pngC+B-Music-Fig22-EgyptianStringedInstruments2019-04-02T19:49:51+00:00monthlyhttps://theartsjournal.net/multimodal/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-11-55-05-am.pngScreen Shot 2018-10-16 at 11.55.05 AMhttps://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-14-at-10-39-04-pm.pngScreen Shot 2018-05-14 at 10.39.04 PMhttps://theartsjournal.net/wp-content/uploads/2015/07/multimedia.pngMULTIMEDIA2019-04-02T19:44:23+00:00weekly0.6https://theartsjournal.net/brushstrokes/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-10-56-25-am.pngScreen Shot 2018-10-16 at 10.56.25 AMhttps://theartsjournal.net/wp-content/uploads/2015/07/brushstrokes.pngBrushstrokes2019-04-02T19:42:43+00:00weekly0.6https://theartsjournal.net/longform/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-16-at-11-51-21-am.pngScreen Shot 2018-10-16 at 11.51.21 AMhttps://theartsjournal.net/wp-content/uploads/2015/07/longform.pngLongform2019-04-02T19:41:16+00:00weekly0.6https://theartsjournal.net/2018/02/07/goodbyenea/https://theartsjournal.net/wp-content/uploads/2018/02/18961obv.jpg1896$1obvhttps://theartsjournal.net/wp-content/uploads/2018/02/screen-shot-2018-02-07-at-12-51-41-pm.pngScreen Shot 2018-02-07 at 12.51.41 PM2019-04-02T19:40:01+00:00monthlyhttps://theartsjournal.net/2018/02/07/bonikern/https://theartsjournal.net/wp-content/uploads/2018/02/2009-04-18-noerdlingen-rr-14.jpg2009-04-18-noerdlingen-rr-142019-04-02T19:36:45+00:00monthlyhttps://theartsjournal.net/2018/02/07/the-scales-politics/https://theartsjournal.net/wp-content/uploads/2018/02/siri_aurdal_onda_volante_at_the_nordic_pavillion_venice_biennale_2017.jpgSiri_Aurdal_ONDA_VOLANTE_at_the_Nordic_Pavillion_Venice_Biennale_20172019-04-02T19:33:12+00:00monthlyhttps://theartsjournal.net/past-issues/2-1/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-31-at-12-00-45-pm.pngScreen Shot 2018-10-31 at 12.00.45 PM2019-04-01T21:37:39+00:00weekly0.6https://theartsjournal.net/past-issues/1-1/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-31-at-12-00-51-pm.pngScreen Shot 2018-10-31 at 12.00.51 PM2019-04-01T21:37:07+00:00weekly0.6https://theartsjournal.net/past-issues/vol-3-no-1/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-31-at-11-27-21-am.pngScreen Shot 2018-10-31 at 11.27.21 AMhttps://theartsjournal.net/wp-content/uploads/2018/10/3-1.jpg3-12019-04-01T21:36:35+00:00weekly0.6https://theartsjournal.net/past-issues/vol-2-no-3/https://theartsjournal.net/wp-content/uploads/2018/10/screen-shot-2018-10-31-at-12-00-36-pm.pngScreen Shot 2018-10-31 at 12.00.36 PM2019-04-01T21:36:00+00:00weekly0.6https://theartsjournal.net/past-issues/special-issue-volume-2-issue-2/2019-04-01T21:35:25+00:00weekly0.6https://theartsjournal.net/2018/10/24/dunkel/https://theartsjournal.net/wp-content/uploads/2018/10/figure-1.jpgFigure 12019-04-01T21:30:02+00:00monthlyhttps://theartsjournal.net/2018/10/20/brazilian-funk-can-make-a-political-difference/https://theartsjournal.net/wp-content/uploads/2018/10/kondzilla.jpgKondzilla2019-03-29T05:04:34+00:00monthlyhttps://theartsjournal.net/2018/10/21/ramel-and-jung/https://theartsjournal.net/wp-content/uploads/2018/10/barenboim_vienna.jpgBarenboim_Vienna Daniel Barenboim after a performance of Mahler's Fifth Symphony at the Musikverein, Vienna, Austria (November 2, 2008). Taken by Alkan.https://theartsjournal.net/wp-content/uploads/2018/10/divc3a1n_este-oeste_2005.jpgDiván_Este-Oeste_2005https://theartsjournal.net/wp-content/uploads/2018/10/fig-2.pngfig 2https://theartsjournal.net/wp-content/uploads/2018/10/1a.png1a2019-03-29T05:04:26+00:00monthlyhttps://theartsjournal.net/2018/10/23/critical-reflections-on-music-and-humanitarian-narratives/https://theartsjournal.net/wp-content/uploads/2018/10/screenshot.jpgscreenshothttps://theartsjournal.net/wp-content/uploads/2018/10/figure-3.jpgFigure 3https://theartsjournal.net/wp-content/uploads/2018/10/figure-11.jpgFigure 12019-03-29T05:04:18+00:00monthlyhttps://theartsjournal.net/2018/10/22/aussems/https://theartsjournal.net/wp-content/uploads/2018/10/5425519839_e3932002be_b.jpg5425519839_e3932002be_bImage by Daniel Paxton2019-03-29T05:03:56+00:00monthlyhttps://theartsjournal.net/2018/05/14/editorial-3-1/https://theartsjournal.net/wp-content/uploads/2018/05/thespis.jpgThespishttps://theartsjournal.net/wp-content/uploads/2018/05/jp-singh-editorial.jpgJP Singh (Editorial)2018-10-26T04:50:32+00:00monthlyhttps://theartsjournal.net/2018/05/14/huttunen/https://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-13-at-10-22-11-pm.pngScreen Shot 2018-05-13 at 10.22.11 PMhttps://theartsjournal.net/wp-content/uploads/2018/05/screen-shot-2018-05-13-at-10-21-59-pm.pngScreen Shot 2018-05-13 at 10.21.59 PM2018-10-26T04:50:23+00:00monthlyhttps://theartsjournal.net/2018/05/14/hypocrite-actor-politician/https://theartsjournal.net/wp-content/uploads/2018/05/olga-taxidou.jpgOlga Taxidou2018-10-26T04:50:10+00:00monthlyhttps://theartsjournal.net/2018/05/14/arts-participation-and-global/https://theartsjournal.net/wp-content/uploads/2018/05/figure-2.jpgFigure 2https://theartsjournal.net/wp-content/uploads/2018/05/figure-1.jpgFigure 1https://theartsjournal.net/wp-content/uploads/2018/05/figure-3.jpgFigure 3https://theartsjournal.net/wp-content/uploads/2018/05/jp-singh-zach-marschall-guy-gotto-and-global-cultural-fellows.jpgJP Singh, Zach Marschall, Guy Gotto and Global Cultural Fellows2018-10-26T04:49:58+00:00monthlyhttps://theartsjournal.net/2018/05/14/jooyoun-lee/https://theartsjournal.net/wp-content/uploads/2018/05/jooyoun-lee.jpgJooyoun Lee2018-10-26T04:49:45+00:00monthlyhttps://theartsjournal.net/2018/05/14/values-and-pluralism/https://theartsjournal.net/wp-content/uploads/2018/05/stuart-macdonald.jpgStuart MacDonald2018-10-26T04:49:27+00:00monthlyhttps://theartsjournal.net/2017/07/19/the-reality-of-fear/https://theartsjournal.net/wp-content/uploads/2017/07/gideon-wabvuta_headshot-square-e1500480919695.jpgGideon Wabvuta_Headshot Square2018-05-15T02:07:10+00:00monthlyhttps://theartsjournal.net/2018/02/07/editorial/https://theartsjournal.net/wp-content/uploads/2018/02/mmv.jpgMusée Mohammed VI d’art moderne et contemporainMohammed VI Museum of Modern and Contemporary Art2018-05-14T03:20:40+00:00monthlyhttps://theartsjournal.net/2018/02/07/exodus/https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-cmyk-figure_9.jpgMurray article CMYK Figure_9https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_11.jpgMurray article Figure_11https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_10.jpgMurray article Figure_10https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_8.jpgMurray article Figure_8https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_7.jpgMurray article Figure_7https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_6.jpgMurray article Figure_6https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_5.jpgMurray article Figure_5https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_4.jpgMurray article Figure_4https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_3.jpgMurray article Figure_3https://theartsjournal.net/wp-content/uploads/2018/02/murray-article-figure_2.jpgMurray article Figure_22018-05-14T03:19:16+00:00monthlyhttps://theartsjournal.net/2018/02/07/the-british-council/https://theartsjournal.net/wp-content/uploads/2018/02/figure-16.jpgFigure 16https://theartsjournal.net/wp-content/uploads/2018/02/figure-15.jpgFigure 15https://theartsjournal.net/wp-content/uploads/2018/02/figure-14.jpgFigure 14https://theartsjournal.net/wp-content/uploads/2018/02/figure-13c.jpgFigure 13chttps://theartsjournal.net/wp-content/uploads/2018/02/figure-13b.jpgFigure 13bhttps://theartsjournal.net/wp-content/uploads/2018/02/figure-13a.jpgFigure 13ahttps://theartsjournal.net/wp-content/uploads/2018/02/figure-12.jpgFigure 12https://theartsjournal.net/wp-content/uploads/2018/02/figure-11.jpgFigure 11https://theartsjournal.net/wp-content/uploads/2018/02/figure-10.jpgFigure 10https://theartsjournal.net/wp-content/uploads/2018/02/figure-9b.jpgFigure 9b2018-05-14T03:19:09+00:00monthlyhttps://theartsjournal.net/2018/02/07/on-pedro-reyes/https://theartsjournal.net/wp-content/uploads/2018/02/figure4.jpgFigure4https://theartsjournal.net/wp-content/uploads/2018/02/figure3.jpgFigure3https://theartsjournal.net/wp-content/uploads/2018/02/figure2.jpgFigure2https://theartsjournal.net/wp-content/uploads/2018/02/figure1.jpgFigure12018-05-14T03:19:01+00:00monthlyhttps://theartsjournal.net/2016/03/13/lerner/https://theartsjournal.net/wp-content/uploads/2016/03/lerner7-e1461197816965.jpghttps://theartsjournal.net/wp-content/uploads/2016/03/lerner6.jpgLerner often writes plays that challenged religious identity and politics. In a promotional video for Paulus, Lerner discusses his own atheism to introduce the work. https://theartsjournal.net/wp-content/uploads/2016/03/lerner_article-icon.jpgGordon Joseph Weiss, Dan Manning, and Jeffrey Ware (foreground) in CENTERSTAGE’s American premiere of Motti Lerner’s The Murder of Isaac, directed by Irene Lewis. Photo by Richard Anderson. The Murder of Issac by Motti Lerner Directed by Irene Lewis Center Stage The Head Theater Feb. 3-March 12, 2006https://theartsjournal.net/wp-content/uploads/2016/03/lerner1.jpglerner1https://theartsjournal.net/wp-content/uploads/2016/03/lerner2.jpglerner2https://theartsjournal.net/wp-content/uploads/2016/03/lerner3.jpglerner3https://theartsjournal.net/wp-content/uploads/2016/03/lerner4.jpgFigure 2: Photograph of a scene from Benedictushttps://theartsjournal.net/wp-content/uploads/2016/03/lerner5.jpg2018-02-09T07:53:16+00:00monthlyhttps://theartsjournal.net/2017/07/19/voice-art-and-collaboration/https://theartsjournal.net/wp-content/uploads/2017/07/dorothy-miell-image-e1500488485239.jpgDorothy Miell Image2018-02-08T18:39:23+00:00monthlyhttps://theartsjournal.net/2017/07/19/culture-wars-as-clashes-of-identity/https://theartsjournal.net/wp-content/uploads/2017/07/corina-lacatus-image-e1500491881442.jpgCorina Lacatus ImageSyrian refugees strike in front of Budapest Keleti railway station. Refugee crisis. Budapest, Hungary, Central Europe, 3 September 2015.2018-02-08T18:39:14+00:00monthlyhttps://theartsjournal.net/2017/07/19/performing-empathy-lessons-from-the-stage-for-policymakers/https://theartsjournal.net/wp-content/uploads/2017/07/syria-trojan-women-on-stage-in-london-water-futures_cynthia-e1500494410876.jpgSyria TRojan Women on Stage in London Water Futures_CynthiaThe cast from Queens of Syriahttps://theartsjournal.net/wp-content/uploads/2017/07/syria-trojan-women-on-stage-water-futures_cynthia-e1500490630817.jpgSyria Trojan women on stage Water Futures_CynthiaStill from Syria: The Trojan Women2018-02-08T18:39:06+00:00monthlyhttps://theartsjournal.net/2017/01/21/the-cultural-implications-of-performance/https://theartsjournal.net/wp-content/uploads/2017/01/incroyable_et_merveilleuses.jpgincroyable_et_merveilleuses2018-02-08T18:38:51+00:00monthlyhttps://theartsjournal.net/2017/01/21/destruction-of-memory/https://theartsjournal.net/wp-content/uploads/2017/01/thedestructionofmemory_still7-1.jpgthedestructionofmemory_still7-1https://theartsjournal.net/wp-content/uploads/2017/01/thedestructionofmemory_still3.jpgthedestructionofmemory_still3Reconstructed mausoleum, Timbuktu, https://theartsjournal.net/wp-content/uploads/2017/01/thedestructionofmemory_still2.jpgthedestructionofmemory_still22018-02-08T18:38:43+00:00monthlyhttps://theartsjournal.net/2017/01/21/colonial-wars-and-aesthetic-reworking-the-artist-as-moral-witness/https://theartsjournal.net/wp-content/uploads/2017/01/moller-figure-32.jpgmoller-figure-3https://theartsjournal.net/wp-content/uploads/2017/01/moller-figure-31.jpgmoller-figure-3https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure15.jpgmollerfigure15https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure14.jpgmollerfigure14https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure13.jpgmollerfigure13https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure12.jpgmollerfigure12https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure11.jpgmollerfigure11https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure10.jpgmollerfigure10https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure9.jpgmollerfigure9https://theartsjournal.net/wp-content/uploads/2017/01/mollerfigure8.jpgmollerfigure82018-02-08T18:38:32+00:00monthlyhttps://theartsjournal.net/2015/07/20/volume-1-number-1-the-introductory-issue/2018-02-08T04:41:41+00:00monthlyhttps://theartsjournal.net/2017/07/19/insiders-and-outsiders-at-festivals/https://theartsjournal.net/wp-content/uploads/2017/07/hannah-mcgill-image-e1500486688532.jpgHannah McGill Image2018-02-08T04:41:27+00:00monthlyhttps://theartsjournal.net/2017/07/19/from-spectating-to-witnessing-performance-in-the-here-and-now/https://theartsjournal.net/wp-content/uploads/2017/07/derek-goldman-image1-e1500494266127.jpgDerek Goldman Imagehttps://theartsjournal.net/wp-content/uploads/2017/07/derek-goldman-image-e1500489677368.jpgOLYMPUS DIGITAL CAMERAOLYMPUS DIGITAL CAMERA2018-02-08T04:41:18+00:00monthlyhttps://theartsjournal.net/2017/07/19/the-case-for-high-art/https://theartsjournal.net/wp-content/uploads/2017/07/zach-marschall-image1-e1500494813182.jpgZach Marschall Imagehttps://theartsjournal.net/wp-content/uploads/2017/07/zach-marschall-image-e1500492045250.jpgZach Marschall Image2018-02-07T18:19:58+00:00monthlyhttps://theartsjournal.net/2017/07/19/art-and-the-global/https://theartsjournal.net/wp-content/uploads/2017/07/singh-21-e1500492558963.jpgSingh 2https://theartsjournal.net/wp-content/uploads/2017/07/singh-2.jpgSingh 2Kathak dancer Gauri Diwakar performing at the 2016 Edinburgh Fringe Festivalhttps://theartsjournal.net/wp-content/uploads/2017/07/singh-1.jpgSingh 1Kathak dancer Gauri Diwakar performing at the 2016 Edinburgh Fringe Festivalhttps://theartsjournal.net/wp-content/uploads/2017/07/tate.jpgTateExterior of Tate Modern. Source: Christine Matthews [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons2018-02-07T18:19:40+00:00monthlyhttps://theartsjournal.net/2017/07/18/highs-and-lows-the-jazz-perspective/https://theartsjournal.net/wp-content/uploads/2017/07/luis-felipe-ferra-e1502120841916.pngLUIS FELIPE FERRAhttps://theartsjournal.net/wp-content/uploads/2017/07/kevin-doyle.jpgKevin Doyle2017-08-07T15:50:28+00:00monthlyhttps://theartsjournal.net/2017/07/18/art-is-universal-society-is-local/https://theartsjournal.net/wp-content/uploads/2017/07/chankethya-chey_headshot-square-e1500405532349.jpegChankethya Chey_Headshot Square2017-07-24T20:23:54+00:00monthlyhttps://theartsjournal.net/2017/07/18/lessons-from-lowbrow-art/https://theartsjournal.net/wp-content/uploads/2017/07/velani-dibba_headshot-e1500405381223.jpgVelani Dibba_Headshot2017-07-24T20:23:10+00:00monthlyhttps://theartsjournal.net/2017/07/18/new-territories-for-literature-in-contemporary-brazil/https://theartsjournal.net/wp-content/uploads/2017/07/4-copyrightelisc3a2ngelaleiteflup.jpgFLUP 2017 - Evento no Museu do Samba com Sergio Vaz. Foto Elisângela LeiteFLUP Pensa 2017 with Poet Sergio Vaz, Samba Museum in Mangueira Favela, Rio de Janeiro, Brazilhttps://theartsjournal.net/wp-content/uploads/2017/07/3-copyrightfranciscocostaflup.jpg3-CopyrightFranciscoCostaFLUPFLUP 2016, Cidade de Deus Favela, Rio de Janeiro, Brazilhttps://theartsjournal.net/wp-content/uploads/2017/07/2-copyrighteduardomagalhc3a3esflup.jpg2-CopyrightEduardoMagalhãesFLUPFLUP 2016, Cidade de Deus Favela, Rio de Janeiro, Brazilhttps://theartsjournal.net/wp-content/uploads/2017/07/1-copyrighteduardomagalhc3a3esflup.jpg1-CopyrightEduardoMagalhãesFLUPFLUP 2014, Mangueira Favela, Rio de Janeiro, Brazilhttps://theartsjournal.net/wp-content/uploads/2017/07/ellen-heyward.jpgEllen Heyward2017-07-24T20:21:25+00:00monthlyhttps://theartsjournal.net/2017/07/18/highs-and-lows-in-tajikistan/https://theartsjournal.net/wp-content/uploads/2017/07/lolisanam-ulugova-e1500405325319.jpgLolisanam Ulugova2017-07-24T20:20:45+00:00monthlyhttps://theartsjournal.net/2017/07/18/participatory-practices/https://theartsjournal.net/wp-content/uploads/2017/07/jenna-ashton.jpgJenna Ashton2017-07-24T20:20:13+00:00monthlyhttps://theartsjournal.net/2017/07/18/echoes-of-silence/https://theartsjournal.net/wp-content/uploads/2017/07/eona-craig-1-e1500405230639.jpgEona Craig 1https://theartsjournal.net/wp-content/uploads/2017/07/eona-craig-2-e1500405252404.jpgEona Craig 22017-07-24T20:19:35+00:00monthlyhttps://theartsjournal.net/2017/07/18/silence-voice-and-the-dialogic-scream/https://theartsjournal.net/wp-content/uploads/2017/07/xenia-hanusiak-e1500405193302.jpgXenia Hanusiak2017-07-24T20:18:39+00:00monthlyhttps://theartsjournal.net/2017/07/18/does-western-performance-give-voice/https://theartsjournal.net/wp-content/uploads/2017/07/asif-majid_headshot-square-e1500405483788.jpgAsif Majid_Headshot Square2017-07-24T20:17:02+00:00monthlyhttps://theartsjournal.net/2017/07/18/lets-dance/https://theartsjournal.net/wp-content/uploads/2017/07/jane_saren-e1500405716558.jpgJane_Saren2017-07-24T19:38:51+00:00monthlyhttps://theartsjournal.net/2017/07/18/you-have-seen-nothing-in-syria/https://theartsjournal.net/wp-content/uploads/2017/07/jumana-al-yasiri_headshot-square-e1500405849840.jpegJumana Al-Yasiri_Headshot Square2017-07-24T19:38:02+00:00monthlyhttps://theartsjournal.net/2017/07/18/a-place-of-seeing/https://theartsjournal.net/wp-content/uploads/2017/07/cassidy.jpgCassidy“Marina Abramovic: The Artist is Present” at MoMa in New York City. Unaltered image by Andrew Russeth. Licensed through Creative Commons. https://theartsjournal.net/wp-content/uploads/2017/07/caitlin-cassidy_headshot-square-e1500405976182.jpgCaitlin Cassidy_Headshot Square2017-07-24T19:37:11+00:00monthlyhttps://theartsjournal.net/2017/07/18/todays-trial-is-tomorrows-testimony/https://theartsjournal.net/wp-content/uploads/2017/07/marika-constantino-e1500406235801.jpgMarika Constantino2017-07-24T19:36:17+00:00monthlyhttps://theartsjournal.net/2017/07/18/what-will-be-edinburghs-testimony/https://theartsjournal.net/wp-content/uploads/2017/07/chris-creegan-2-e1500406892911.jpgChris Creegan 22017-07-24T19:35:16+00:00monthlyhttps://theartsjournal.net/2017/07/18/theatre-of-witness-and-resistance/https://theartsjournal.net/wp-content/uploads/2017/07/ranjan2c-devika-witness-3.jpgRanjan Devika - Witness - 3Manguchak women performing plays based on their liveshttps://theartsjournal.net/wp-content/uploads/2017/07/ranjan2c-devika-witness-2.jpgRanjan Devika - Witness - 2Manguchak women performing plays based on their liveshttps://theartsjournal.net/wp-content/uploads/2017/07/ranjan2c-devika-witness-1.jpgRanjan Devika - Witness - 1Manguchak women performing plays based on their liveshttps://theartsjournal.net/wp-content/uploads/2017/07/devika-ranjan_headshot-square-e1500407043281.jpgDevika Ranjan_Headshot Square2017-07-24T19:34:41+00:00monthlyhttps://theartsjournal.net/2017/07/18/empathy-the-power-of-healing/https://theartsjournal.net/wp-content/uploads/2017/07/mike-anyanwu-e1500407180160.jpgMIke Anyanwu2017-07-24T19:34:02+00:00monthlyhttps://theartsjournal.net/2017/07/18/empathy-in-an-orphanage-in-afghanistan/https://theartsjournal.net/wp-content/uploads/2017/07/farid2c-mahtab-empathy-empathy-in-an-orphanage-in-afghanistan-2.jpgFarid Mahtab - Empathy - Empathy in an orphanage in Afghanistan - 2Kids at Samar Orphange in Bamyanhttps://theartsjournal.net/wp-content/uploads/2017/07/farid2c-mahtab-empathy-empathy-in-an-orphanage-in-afghanistan-1.jpgFarid Mahtab - Empathy - Empathy in an orphanage in Afghanistan - 1Kids at Samar Orphange in Bamyanhttps://theartsjournal.net/wp-content/uploads/2017/07/farid2c-mahtab-empathy-empathy-in-an-orphanage-in-afghanistan-3.jpgFarid Mahtab - Empathy - Empathy in an orphanage in Afghanistan - 3Kids at Samar Orphange in Bamyanhttps://theartsjournal.net/wp-content/uploads/2017/07/mahtab-farid-photo-e1500407360767.jpgMahtab Farid Photo2017-07-24T19:32:55+00:00monthlyhttps://theartsjournal.net/2017/07/19/art-labour-and-empathy/https://theartsjournal.net/wp-content/uploads/2017/07/ann-henderson-e1500478669574.jpgAnn Henderson2017-07-24T19:31:47+00:00monthlyhttps://theartsjournal.net/2017/07/19/do-you-hear-what-i-hear-empathizing-with-many-voices-in-cultural-production/https://theartsjournal.net/wp-content/uploads/2017/07/douglas-lonie-picture-e1500478902166.jpgDouglas Lonie picture2017-07-24T19:31:21+00:00monthlyhttps://theartsjournal.net/2017/07/19/imagine-all-the-people/https://theartsjournal.net/wp-content/uploads/2017/07/shubham-choudhury-e1500479030997.jpgShubham Choudhury2017-07-24T19:30:52+00:00monthlyhttps://theartsjournal.net/2017/07/19/why-me/https://theartsjournal.net/wp-content/uploads/2017/07/faisal-abu-alhayjaa_headshot-square-e1500479353391.jpgFaisal Abu Alhayjaa_Headshot Square2017-07-24T19:30:02+00:00monthlyhttps://theartsjournal.net/2017/07/19/the-tender-power-of-anger/https://theartsjournal.net/wp-content/uploads/2017/07/reem-alsayyah_headshot-square-e1500479589678.jpgReem Alsayyah_Headshot Square2017-07-24T19:29:39+00:00monthlyhttps://theartsjournal.net/2017/07/19/the-art-of-resilience/https://theartsjournal.net/wp-content/uploads/2017/07/consuelo-hidalgo-e1500479705493.jpgConsuelo Hidalgo2017-07-24T19:28:50+00:00monthlyhttps://theartsjournal.net/2017/07/19/can-cultural-production-make-people-less-angry-at-each-other/https://theartsjournal.net/wp-content/uploads/2017/07/arno-vinkovic-photo-e1500479787403.jpgArno Vinkovic photo2017-07-24T19:28:14+00:00monthlyhttps://theartsjournal.net/2017/07/19/culture-wars-syria/https://theartsjournal.net/wp-content/uploads/2017/07/abdulkarim-ekzayez-e1500479920629.jpgAbdulkarim Ekzayez2017-07-24T19:27:50+00:00monthlyhttps://theartsjournal.net/2017/07/19/caricature-or-pornography-of-violence/https://theartsjournal.net/wp-content/uploads/2017/07/mikael-licc82fgren_nye2888fhelena-persson-e1500480076570.jpgMikael-Lîfgren_ny∏Helena-Persson2017-07-24T19:27:18+00:00monthlyhttps://theartsjournal.net/2017/07/19/de-communization-in-ukraine/https://theartsjournal.net/wp-content/uploads/2017/07/solomiya-shpak-e1500480252635.jpgSolomiya Shpak2017-07-24T19:26:41+00:00monthlyhttps://theartsjournal.net/2017/07/19/free-admissions-help-arts-organizations-build-new-audiences-not-really/https://theartsjournal.net/wp-content/uploads/2017/07/ariel-stolier-picture-e1500480364138.jpgAriel Stolier picture2017-07-24T19:26:14+00:00monthlyhttps://theartsjournal.net/2017/07/19/reflections-on-guerilla-art/https://theartsjournal.net/wp-content/uploads/2017/07/manuel-viveros_headshot-square-e1500480493800.jpegManuel Viveros_Headshot Square2017-07-24T19:25:41+00:00monthlyhttps://theartsjournal.net/2017/07/19/how-to-live-together-or-why-do-we-go-to-festivals/https://theartsjournal.net/wp-content/uploads/2017/07/natalia-mallo-e1500480604770.jpegNatalia Mallo2017-07-24T19:25:12+00:00monthlyhttps://theartsjournal.net/2017/07/19/when-words-dont-matter/https://theartsjournal.net/wp-content/uploads/2017/07/puneeta-roy-e1500480701406.jpgPuneeta Roy2017-07-24T19:24:44+00:00monthlyhttps://theartsjournal.net/2017/07/19/is-cooking-neutral/https://theartsjournal.net/wp-content/uploads/2017/07/nik-nizam2-e1500480825138.jpgNik Nizam22017-07-24T19:24:19+00:00monthlyhttps://theartsjournal.net/2017/07/19/speaking-to-their-time-reflections-on-anger-and-anxiety-in-2017/https://theartsjournal.net/wp-content/uploads/2017/07/faith-liddell-image-e1500491383184.jpgFaith Liddell Image2017-07-24T19:18:47+00:00monthlyhttps://theartsjournal.net/2017/07/18/exploring-cultural-interests-and-values/https://theartsjournal.net/wp-content/uploads/2017/07/editorial-image-e1500493836214.jpgEdinburgh International Festival 2016 / Photographer Mihaela Bodlovic2017-07-24T19:15:22+00:00monthlyhttps://theartsjournal.net/2017/07/19/cultural-interactions-at-the-edinburgh-festivals-c1947-1971/https://theartsjournal.net/wp-content/uploads/2017/07/angela-bartie-image-e1500486266385.jpgAngela Bartie Image2017-07-24T19:14:55+00:00monthlyhttps://theartsjournal.net/2017/01/21/remember-me/https://theartsjournal.net/wp-content/uploads/2017/01/img_2494.jpgimg_2494https://theartsjournal.net/wp-content/uploads/2017/01/edinartfestival-7.jpgedinartfestival-7https://theartsjournal.net/wp-content/uploads/2017/01/20160725_edinartfest-2016_studiororo_5392.jpg20160725_edinartfest-2016_studiororo_5392https://theartsjournal.net/wp-content/uploads/2017/01/art-festival-late-thu-18-august-2016-edinburgh-scotland-photographer-andy-catlin-www-andycatlin-com-4723.jpgEdinburgh Art Festival - Art Late - Thu 18 August 2016 - Edinburgh, Scotland (photographer - Andy Catlin www.andycatlin.com)https://theartsjournal.net/wp-content/uploads/2017/01/eaf-map-digital.jpgeaf-map-digital2017-07-19T18:08:29+00:00monthlyhttps://theartsjournal.net/2017/01/21/performing-culture/https://theartsjournal.net/wp-content/uploads/2017/01/nww2m_pacific_arch.jpgnww2m_pacific_archhttps://theartsjournal.net/wp-content/uploads/2017/01/american_flag_at_vietnam_veterans_memorial_2010-05-04.jpgamerican_flag_at_vietnam_veterans_memorial_2010-05-042017-07-19T17:54:28+00:00monthlyhttps://theartsjournal.net/2017/01/21/the-museum-as-a-transnational-actor/https://theartsjournal.net/wp-content/uploads/2017/01/bilbao_-_guggenheim_46.jpgbilbao_-_guggenheim_462017-07-19T17:54:04+00:00monthlyhttps://theartsjournal.net/2017/01/21/curating-public-art-2-0-the-case-of-autopoiesis/https://theartsjournal.net/wp-content/uploads/2017/01/figure-8-exhibition.jpgfigure-8-exhibitionhttps://theartsjournal.net/wp-content/uploads/2017/01/figure-7-exhibition.jpgfigure-7-exhibitionhttps://theartsjournal.net/wp-content/uploads/2017/01/figure-6-autopsy.jpgfigure-6-autopsyhttps://theartsjournal.net/wp-content/uploads/2017/01/figure-5-saeed.jpgfigure-5-saeedhttps://theartsjournal.net/wp-content/uploads/2017/01/figure-4-lemtiz.jpgfigure-4-lemtizhttps://theartsjournal.net/wp-content/uploads/2017/01/figure-3-al-falasi.jpgfigure-3-al-falasihttps://theartsjournal.net/wp-content/uploads/2017/01/figure-2-blake.jpgfigure-2-blakehttps://theartsjournal.net/wp-content/uploads/2017/01/figure-1-autopoiesis-display-page.jpgfigure-1-autopoiesis-display-page2017-07-19T17:53:06+00:00monthlyhttps://theartsjournal.net/2016/03/10/xuereb/https://theartsjournal.net/wp-content/uploads/2016/03/xuereb-1.jpghttps://theartsjournal.net/wp-content/uploads/2016/03/xuereb-2.jpgXuereb 22017-05-02T16:06:50+00:00monthlyhttps://theartsjournal.net/2016/03/14/burri/2017-05-02T16:05:21+00:00monthlyhttps://theartsjournal.net/2016/03/13/nisbett/https://theartsjournal.net/wp-content/uploads/2016/03/nesbitt.jpg2017-05-02T16:04:39+00:00monthlyhttps://theartsjournal.net/2016/03/08/wu/https://theartsjournal.net/wp-content/uploads/2016/03/wu10a.jpgwu10ahttps://theartsjournal.net/wp-content/uploads/2016/03/wu_figure-10a.jpgWu_Figure 10ahttps://theartsjournal.net/wp-content/uploads/2016/03/wu11.jpgwu11https://theartsjournal.net/wp-content/uploads/2016/03/wu10b.pngwu10bhttps://theartsjournal.net/wp-content/uploads/2016/03/wu6.jpgFigure 6. Screenshot from Long Long Live by Yao Jui-Chung, single-channel video, Taiyuan Prison, 7` 30, 2013 (courtesy of the artist)https://theartsjournal.net/wp-content/uploads/2016/03/wu7.jpgwu7https://theartsjournal.net/wp-content/uploads/2016/03/wu8.pngwu8https://theartsjournal.net/wp-content/uploads/2016/03/wu9.jpgwu9https://theartsjournal.net/wp-content/uploads/2016/03/wo10a.pngwo10ahttps://theartsjournal.net/wp-content/uploads/2016/03/wu5.jpg2017-05-02T16:04:03+00:00monthlyhttps://theartsjournal.net/2016/03/13/singh/https://theartsjournal.net/wp-content/uploads/2016/03/jp6.jpgjp6https://theartsjournal.net/wp-content/uploads/2016/03/jp5.jpghttps://theartsjournal.net/wp-content/uploads/2016/03/jp4.jpgjp4https://theartsjournal.net/wp-content/uploads/2016/03/jp3.jpgjp3https://theartsjournal.net/wp-content/uploads/2016/03/jp1.jpgPhoto Credit: J.P. Singh. Smithsonian Institution. Beyond Bollywood Exhibition. 10 May 2015https://theartsjournal.net/wp-content/uploads/2016/03/jp2.jpgPhoto credit: J.P. Singh. 11 December 2013. LGBT Protest Outside Embassy of India, Washington, DC, after Indian Supreme Court's Judgment to Uphold Indian Penal Code 377 that Criminalizes Homosexuality. Second Sign from Right is a Line from Pyar Kiya to Darna Kya.2017-05-02T16:03:09+00:00monthlyhttps://theartsjournal.net/2016/03/08/baron/https://theartsjournal.net/wp-content/uploads/2016/03/baron_1.jpgBaron_1https://theartsjournal.net/wp-content/uploads/2016/03/baron_2.jpgBaron_2https://theartsjournal.net/wp-content/uploads/2016/03/baron_4.jpgBaron_4https://theartsjournal.net/wp-content/uploads/2016/03/baron_5.jpgBaron_5https://theartsjournal.net/wp-content/uploads/2016/03/baron_3.jpgBaron_32017-05-02T16:02:14+00:00monthlyhttps://theartsjournal.net/2016/03/13/marlin-bennett/https://theartsjournal.net/wp-content/uploads/2016/03/bennett2.jpgbennett2https://theartsjournal.net/wp-content/uploads/2016/03/640px-horaisraelidance.jpg640px-HoraIsraeliDance2017-05-02T16:01:31+00:00monthlyhttps://theartsjournal.net/2016/03/13/editorial1/https://theartsjournal.net/wp-content/uploads/2016/03/singh1.jpgsingh1https://theartsjournal.net/wp-content/uploads/2016/03/singh2.jpg2017-05-02T15:57:39+00:00monthlyhttps://theartsjournal.net/2017/01/21/creating-museums-an-interview/https://theartsjournal.net/wp-content/uploads/2017/01/nmajmh_02.pngnmajmh_02https://theartsjournal.net/wp-content/uploads/2017/01/dcc_01.pngdcc_01https://theartsjournal.net/wp-content/uploads/2017/01/gfb_03.pnggfb_032017-05-02T15:56:08+00:00monthlyhttps://theartsjournal.net/2017/01/21/cultural-stratification-and-cultural-policies-perspectives-of-cultural-globalism-the-case-of-croatia/https://theartsjournal.net/wp-content/uploads/2017/01/zageb_crkva_sv_marka.jpgzageb_crkva_sv_marka2017-05-02T15:54:47+00:00monthlyhttps://theartsjournal.net/2016/03/02/blank-journal-template-2/2016-03-03T19:12:32+00:00monthlyhttps://theartsjournal.net/2015/12/11/blank-journal-template/2015-12-11T15:57:40+00:00monthlyhttps://theartsjournal.netdaily1.02025-10-20T19:03:51+00:00